REVIEW | Meeting the Wanderer’s Tarot


The Wanderer’s Tarot, published this summer by Casey Zabala, is a deck that gives little away. Monochromatic, with oversized black cards and scratched-out, folky illustrations, this tarot is witchy and weird, and teasingly obscure.

A companion book that explores the ideas within this deck is due to be published in the next couple of months, but for now, it’s just me and these beautiful cards.

It’s a deck that is filled with contradictions, a deck that plays with you, puts on a mask, jumps out from behind the woodshed, then grabs your hand and leads you into the woods. It’s soft, and it’s edgy. It’s fierce, yet it’s kind. It’s dark, but it’s very very bright.

These cards draw you in like nobody’s business. It’s as though this deck does a very quiet, very subtle spell on you. It draws a veil across your eyes, then unravels it, thread by thread. As I carried out the short interview reading shared below, obscurity became the key word, as the deck played with my ideas of what might be hidden and what might be revealed.


Could you resist this Wander of Moons? This Goddess of Stones? This Prophet of Knives?

What it doesn’t have is the tired duality of ‘masculine and feminine’. Instead, the deck is populated by human-ish figures who, despite their little breasts, feel to me quite genderless. There’s no ‘king and queen’ here, no ‘masculine archetype’. Though the Wanderer’s Tarot plays with contradiction, and though it does explore themes of goddess energy and feminine power, it’s not dualistic, it’s not binary.


Working through the cards this evening with my housemate Marylou, I wondered what on earth a beginner would make of the cards. It was one of those times when you realise that having ‘lots of knowledge and experience’ around tarot can really inhibit you from interacting with a card on an intuitive level. Where I grappled for ideas to read the Six of Stones, from the sparse keywords provided with the deck Marylou spun a funny and helpful tale about why this card was telling her to go to bed. It really made me think – there’s no such thing as a deck that’s suitable for beginners, or one that’s unsuitable. You pick up the cards and you work with what they show you.


Suits are renamed feathers, moons, knives and stones. These symbols are drawn with sparse but satisfying detail. I love the shifting light on the speckled moons (replacing cups), the angular crystal formations of the stones (pentacles), the simple, tough-looking knives (swords) and the varied and beautiful feathers. The number cards are mostly pips (meaning that they tend to show X number of symbols, rather than an actual picture), but they’re wonderful pips.


The court, too, are renamed, and I love the approach Casey has taken here. The Page is now the Wanderer, ‘ready to risk all’. The Knight is the Prophet, ‘one with knowledge to inform their future through will + action’. The Queen is a Goddess, and the King is a Philosopher – like the Collective Tarot, these courts reference life stages or approaches to their suit, rather than hierarchical status, a feature I really love.

Here are some more favourite cards!

Physically speaking: the Wanderer’s Tarot comes in a simple white tuck-box. The oversized cards – just okay for my hands to shuffle, though you’d struggle if you had smaller hands – are thick and glossy, and feel sturdy in your hands. You could take this deck camping or on long walks, it’s made to withstand the elements of your outdoor magic. And I love the simple design on the back, rays of light beaming out from…from what? An abyss, I think.


In place of a little white book are four additional cards, which list keywords for each of the major cards, then interpretive clues for each suit and number/name of the minor cards. I really like this! I’ve never been a fan of those faffy little pamphlets, these cards feel like a neat way to convey more or less the same information.

Interviewing the Wanderers Tarot


I used the interview spread to speak with this deck and find out a little more about where it’s coming from. In a style that is apparently typical of its contradictory nature, I found it to be shy…in a confident way.

Tell me about yourself. What is your most important characteristic?

The Hanged Man

Pause and reflection, slow like honey, dripping, a different view. Like waiting on an bright winter’s morning for the cold mist to burn away and the day’s weather to be revealed. Expect the unexpected, is what I hear. And expect it to come slowly.


What are your strengths as a deck?

Nine of Moons

These cards are concerned more with what is yet to be understood than what is known, what has been articulated. It dwells in the place where the obscure is gradually becoming clear, but asks you to meet it half way.

What are your limits as a deck?

Two of Stones

Not a tarot for multi-tasking, not one for your juggling or your buzzing. Not your binary, not your simplistic duality. Its magic is a different kind.

What are you here to teach me?

The Star

A light in the dark, glittering and showing the way. Maybe I need to get away from the smog to really see this guidance. Maybe I need to learn the language of the stars first. Maybe I already know that language, and this tarot is about remembering. There is always hope. That light is always there. The obscure becoming clearer, a journey towards.


How can I best learn and collaborate with you?

Two of Moons

Be vulnerable. Be open. Be ready to talk. This deck will beckon, and meet me half way. The sharing will be mutual, the offerings equal.


What is the potential outcome of our working relationship?

Ace of Stones

“What is harvested and sown in the earth”

This angular rock, the kind you might spy on the beach and pop into your pocket, suspecting magic, is a talisman on its own, the star of twigs around it the beginnings of a ritual.

Casey describes this as a deck for the ‘natural witch’, that these cards speak to our magical tools and talismans, that the deck ‘holds true to the process of magic, and encourages others to engage in the art of manifesting and the journey towards self-knowledge.’ Despite its veils and its playful game of hide-and-seek, I feel like this is one for my earthy magic.


dsc_0086Available in the shop!

Check out the Wanderer’s Tarot in the Little Red Tarot Shop (along with many other beautiful independently-published tarot decks)!

Buy the deck


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  1. John in Brooklyn says:

    Beth, this deck looks lovely. It may serve as a gift to myself once I land a job and collect a few paychecks. I’ve been puzzling through my future after finishing my graduate degree, including pursuing a job, considering moving to a cheaper neighborhood (if one exists in Brooklyn!) and maybe even joining the ordained Episcopal ministry. I’m trying to ask these questions gently and give myself time and space to work through them, even if only to a conditional answer I can work with for now. I haven’t read a tarot article from you in a little while, and this was a great return to your thought processes . Plus, can I reiterate how much I love your tattoos?

    • Beth says:

      Glad you liked it John! it is a lovely deck and a real pleasure to use. It certainly has something different.

      And thanks for your kind words, too!

  2. Hi Beth! So nice to see this deck here! I just opened mine up and I’m really enjoying it… After a few uses I am getting the sense that it offer highly unusual readings 😀 I actually think it may be my new ‘shadow’ deck. I’m finding it super direct… a little bizarre…. totally refreshing. 🙂

    I hope you have a lovely October! xoxo

    • Beth says:

      Ooh, ‘shadow deck’, that feels about right. I’m enjoying working with mine and letting it reveal itself really gradually and in surprising ways. Glad you like it too Chris 🙂

  3. Nikk says:

    Oh wow. I don’t think I ever would have expected such a simple deck to resonate so dramatically–I love how it shifts expectations just enough to provide a new kind of voluminous, giving reading. When my life settles enough for me to afford a new deck, I’ll definitely think about this one!

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